{"id":423,"date":"2025-12-10T15:03:54","date_gmt":"2025-12-10T10:03:54","guid":{"rendered":"https:\/\/janubiyorol.uz\/?page_id=423"},"modified":"2025-12-10T15:03:54","modified_gmt":"2025-12-10T10:03:54","slug":"zamira-kabulova","status":"publish","type":"page","link":"https:\/\/janubiyorol.uz\/en\/zamira-kabulova","title":{"rendered":"Zamira Kabulova"},"content":{"rendered":"<p><a href=\"http:\/\/janubiyorol.uz\/wp-content\/uploads\/2025\/12\/Zamira-Kabulova.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-424\" src=\"http:\/\/janubiyorol.uz\/wp-content\/uploads\/2025\/12\/Zamira-Kabulova-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/janubiyorol.uz\/wp-content\/uploads\/2025\/12\/Zamira-Kabulova-225x300.jpg 225w, https:\/\/janubiyorol.uz\/wp-content\/uploads\/2025\/12\/Zamira-Kabulova.jpg 260w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Zamira Kabulova<\/strong><\/p>\n<p style=\"text-align: center;\"><em>(1970-j\u0131l, 3-mart. Qo\u0144\u0131rat rayon\u0131) <\/em><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00d3zbek h\u00e1m qaraqalpaq \u00e1debiy baylan\u0131slar\u0131 boy\u0131nsha ilimiy izertlew al\u0131p bar\u01f5an Zamira Adilbaevna Kabulova 1987-j\u0131l\u0131 Qaraqalpaq m\u00e1mleketlik universitetini\u0144 Filologiya fakultetine oq\u0131w\u01f5a kirip, 1992-j\u0131l\u0131 on\u0131 tab\u0131sl\u0131 tamamla\u01f5an.<\/p>\n<p>Universitetti tamamla\u01f5annan so\u0144, 1993-j\u0131l\u0131 \u00c1jiniyaz at\u0131nda\u01f5\u0131 N\u00f3kis m\u00e1mleketlik pedagogikal\u0131q institut\u0131n\u0131\u0144 \u201c\u00d3zbek filologiyas\u0131\u201d kafedras\u0131nda pedagogikal\u0131q jum\u0131s\u0131n basla\u01f5an. 1996-j\u0131ldan baslap h\u00e1zirge shekem Qaraqalpaq m\u00e1mleketlik universitetini\u0144 \u201c\u00d3zbek tili h\u00e1m \u00e1debiyat\u0131\u201d kafedras\u0131nda jum\u0131s al\u0131p barmaqta.<\/p>\n<p>Kabulova Zamira \u00f3zbek h\u00e1m qaraqalpaq poeziyas\u0131n\u0131\u0144 poetikal\u0131q jetilisiwinde eki xal\u0131q shay\u0131rlar\u0131 aras\u0131nda\u01f5\u0131 \u00e1debiy baylan\u0131s, h\u00e1zirgi \u00f3zbek h\u00e1m qaraqalpaq poeziyas\u0131nda\u01f5\u0131 ja\u0144asha formal\u0131q-stillik izlenisler m\u00e1seleleri boy\u0131nsha bir neshe j\u0131llardan berli ilimiy izertlew al\u0131p barad\u0131. \u00d3zbekstan xal\u0131q shay\u0131rlar\u0131 Abdulla Aripov, Zulfiyaxan\u0131m, Sirajiddin Sayyid, Xalima Xudayberdieva, Baxtiyar Genjemuratov, Nabiyra T\u00f3reshova, G\u00falistan Dawletova qos\u0131qlar\u0131n\u0131\u0144 k\u00f3rkem analizi, \u00f3zbek h\u00e1m qaraqalpaq poeziyas\u0131nda\u01f5\u0131 poetikal\u0131q ja\u0144alan\u0131wlar tiykar\u0131nda j\u00fazege kelgen formal\u0131q-stillik izlenislerdi\u0144 rawajlan\u0131w\u0131na baylan\u0131sl\u0131 bir qatar ilimiy maqalalar\u0131 \u00d3zbekstan h\u00e1m s\u0131rt el baspas\u00f3zlerinde j\u00e1riyalan\u01f5an. \u201c\u0423\u0437\u0431\u0435\u043a \u0432\u0430 \u043a\u043e\u0440\u0430\u043a\u0430\u043b\u043f\u043e\u043a \u0448\u0435\u044a\u0440\u0438\u044f\u0442\u0438\u0434\u0430 \u0430\u043d\u044a\u0430\u043d\u0430 \u0445\u0430\u043c\u0434\u0430 \u0448\u0430\u043a\u043b\u0438\u0439-\u0443\u0441\u043b\u0443\u0431\u0438\u0439 \u0438\u0437\u043b\u0430\u043d\u0438\u0448\u043b\u0430\u0440 \u201d<\/p>\n<p>2020-j\u0131l\u0131 \u201c\u00d3zbek h\u00e1m qaraqalpaq poeziyas\u0131nda d\u00e1st\u00far h\u00e1m formal\u0131q-stillik izlenisler\u201d temas\u0131nda PhD dissertaciyas\u0131n qor\u01f5ad\u0131 h\u00e1m filologiya ilimleri boy\u0131nsha filosofiya doktor\u0131 ilimiy d\u00e1rejesin ald\u0131. 2023-j\u0131l\u0131 o\u01f5an JAK t\u00e1repinen docent ilimiy ata\u01f5\u0131 berilgen. H\u00e1zirgi waq\u0131tta \u201cH\u00e1zirgi \u00f3zbek \u00e1debiyat\u0131nda ekologiyal\u0131q m\u00e1deniyat talq\u0131law\u0131n\u0131\u0144 tiykarlar\u0131 h\u00e1m poetikal\u0131q \u00f3zgeshelikleri\u201d temas\u0131nda doktorl\u0131q dissertaciyas\u0131 \u00fastinde islemekte.<\/p>\n<p>Ol \u00f3zbek h\u00e1m qaraqalpaq poeziyas\u0131 m\u00e1seleleri boy\u0131nsha 80 ge shamalas ilimiy maqalalard\u0131\u0144 avtor\u0131. Sonday-aq, Z.Kabulova avtorl\u0131\u01f5\u0131nda 1 monografiya, 1 sabaql\u0131q, 3 oq\u0131w qollanba bas\u0131p sh\u0131\u01f5ar\u0131l\u01f5an.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Ilimiy isleri: <\/strong>\u201cSocio-psychologi\u0441al basis of modern poetry \/\/ International Journal of Anglisticum. Literature,Linguistics and Interdisciplinary Studies\u201d. Volume: 8 Issue: 11 \/- Macedonia, 2019. -P.42-49 (Impakt factor ICV: 6.88).<\/p>\n<p>\u201c\u041c\u043e\u0434\u0435\u0440\u043d \u0448\u0435\u044a\u0440\u043b\u0430\u0440\u0434\u0430 \u0448\u0430\u043a\u043b \u0432\u0430 \u043c\u0430\u0437\u043c\u0443\u043d \u0431\u0438\u0440\u043b\u0438\u0433\u0438 (\u0411.\u0413\u0435\u043d\u0436\u0435\u043c\u0443\u0440\u043e\u0434 \u0432\u0430 \u0423.\u0425\u0430\u043c\u0434\u0430\u043c \u0448\u0435\u044a\u0440\u043b\u0430\u0440\u0438 \u043c\u0438\u0441\u043e\u043b\u0438\u0434\u0430 )\u201d \/\/ \u040e\u0437\u0431\u0435\u043a \u0442\u0438\u043b\u0438 \u0432\u0430 \u0430\u0434\u0430\u0431\u0438\u0451\u0442\u0438. -\u0422\u043e\u0448\u043a\u0435\u043d\u0442 2019.-\u21162. -\u0411 . 76-79 (10.00.00; \u211614).<\/p>\n<p>\u201c\u0417\u0430\u043c\u043e\u043d\u0430\u0432\u0438\u0439 \u0448\u0435\u044a\u0440\u0438\u044f\u0442\u0434\u0430 \u0443\u0441\u043b\u0443\u0431\u0438\u0439-\u0448\u0430\u043a\u043b\u0438\u0439 \u0438\u0437\u043b\u0430\u043d\u0438\u0448\u043b\u0430\u0440\u201d \/\/ \u0418\u043b\u043c \u0441\u0430\u0440\u0447\u0430\u0448\u043c\u0430\u043b\u0430\u0440\u0438. -\u0423\u0440\u0433\u0430\u043d\u0447,2019.-\u21164.-\u0411. 90-93 (10.00.00: \u21163).<\/p>\n<p>\u201c\u0418\u043d\u043d\u043e\u0432\u0430\u0446\u0438\u043e\u043d\u043d\u044b\u0435 \u043f\u043e\u0434\u0445\u043e\u0434\u044b \u0438\u0437\u0443\u0447\u0435\u043d\u0438\u0438 \u0443\u0437\u0431\u0435\u043a\u0441\u043a\u043e\u0433\u043e \u044f\u0437\u044b\u043a\u0430 \u043a\u0430\u043a \u0438\u043d\u043e\u0441\u0442\u0440\u0430\u043d\u043d\u043e\u0433\u043e\u201d. \/\/ \u041d\u0430\u0443\u0447\u043d\u0430\u044f \u0438\u043d\u0438\u0446\u0438\u0430\u0442\u0438\u0432\u0430 \u0438\u043d\u043e\u0441\u0442\u0440\u0430\u043d\u043d\u044b\u0445 \u0441\u0442\u0443\u0434\u0435\u043d\u0442\u043e\u0432 \u0438 \u0430\u0441\u043f\u0438\u0440\u0430\u043d\u0442\u043e\u0432. \u041c\u0435\u0436\u0434\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u044b\u0439 \u043d\u0430\u0443\u0447\u043d\u043e-\u043f\u0440\u0430\u043a\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u044f. -\u0425\u0430\u0440\u044c\u043a\u043e\u0432,2018.-\u0411.140-142.<\/p>\n<p>\u201c\u0425\u043e\u0437\u0438\u0440\u0433\u0438 \u0437\u0430\u043c\u043e\u043d \u0448\u0435\u044a\u0440\u0438\u044f\u0442\u0438\u0434\u0430 \u0431\u0430\u0434\u0438\u0438\u0439 \u0442\u0430\u0441\u0432\u0438\u0440 \u0443\u0437\u0438\u0433\u0430 \u0445\u043e\u0441\u043b\u0438\u0433\u0438\u201d \/\/ \u0410\u0431\u0430\u0439 \u0432\u0430 \u0434\u0443\u043d\u0451 \u0446\u0438\u0432\u0438\u043b\u0438\u0437\u0430\u0446\u0438\u044f\u0441\u0438\u201d \u043c\u0430\u0432\u0437\u0443\u0441\u0438\u0434\u0430\u0433\u0438 \u0425\u0430\u043b\u043a\u0430\u0440\u043e \u0438\u043b\u043c\u0438\u0439-\u0430\u043c\u0430\u043b\u0438\u0439 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u044f. \u2013\u041d\u0443\u043a\u0443\u0441, 2019 \u0439\u0438\u043b. -\u0411. 58-60.<\/p>\n<p>\u201c\u0428\u043e\u0438\u0440\u0430 \u0417\u0443\u043b\u0444\u0438\u044f \u2013 \u0432\u0430\u0444\u043e \u0432\u0430 \u0441\u0430\u0434\u043e\u043a\u0430\u0442 \u0442\u0438\u043c\u0441\u043e\u043b\u0438\u201d \/\/ \u0416\u0430\u043c\u0438\u044f\u0442\u043d\u0438\u043d\u0433 \u0440\u0438\u0432\u043e\u0436\u043b\u0430\u043d\u0438\u0448\u0438\u0434\u0430 \u0445\u043e\u0442\u0438\u043d-\u049b\u0438\u0437\u043b\u0430\u0440\u043d\u0438\u043d\u0433 \u0442\u0443\u0442\u0433\u0430\u043d \u045e\u0440\u043d\u0438 \/ \u0420\u0435\u0441\u043f\u0443\u0431\u043b\u0438\u043a\u0430 \u0438\u043b\u043c\u0438\u0439-\u0430\u043c\u0430\u043b\u0438\u0439 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u044f\u0441\u0438. -\u041d\u0443\u043a\u0443\u0441, 2015. -\u0411. 136-138.<\/p>\n<p>\u0428\u0435\u044a\u0440\u0438\u044f\u0442\u0434\u0430\u0433\u0438 \u043f\u043e\u044d\u0442\u0438\u043a \u045e\u0437\u0433\u0430\u0440\u0438\u0448\u043b\u0430\u0440 \u04b3\u0430\u043a\u0438\u0434\u0430 \/ \u040e\u0437\u0431\u0435\u043a \u0430\u0434\u0430\u0431\u0438\u0451\u0442\u0448\u0443\u043d\u043e\u0441\u043b\u0438\u0433\u0438\u043d\u0438\u043d\u0433 \u0434\u043e\u043b\u0437\u0430\u0440\u0431 \u043c\u0443\u0430\u043c\u043c\u043e\u043b\u0430\u0440\u0438: \u0442\u0430\u04b3\u043b\u0438\u043b \u0432\u0430 \u0442\u0430\u043b\u049b\u0438\u043d. \/\/ \u0420\u0435\u0441\u043f\u0443\u0431\u043b\u0438\u043a\u0430 \u0438\u043b\u043c\u0438\u0439-\u0430\u043c\u0430\u043b\u0438\u0439 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u044f\u0441\u0438. -\u0422\u0435\u0440\u043c\u0438\u0437, 2019. -\u0411. 136-138.<\/p>\n<p>\u201c\u0428\u0430\u043a\u043b\u0433\u0430 \u044f\u0448\u0438\u0440\u0438\u043d\u0433\u0430\u043d \u043c\u0430\u044a\u043d\u0438\u201d \/ \u201c\u0401\u0448\u043b\u0438\u043a\u201d \u0436\u0443\u0440\u043d\u0430\u043b\u0438. -\u21162. -T\u043e\u0448\u043a\u0435\u043d\u0442, 2014.-\u0411. 60-61.<\/p>\n<p>\u201cInfluence of uzbek literature on artistic development of Karakalpak modern poetry\u201d. \u2013Internauka. \u201c\u0425\u0425\u0425 \u043c\u0435\u0436\u0434\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u043e\u0439 \u043d\u0430\u0443\u0447\u043d\u043e-\u043f\u0440\u0430\u043a\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u0438\u201d. -\u041c\u043e\u0441\u043a\u0432\u0430, 2019. -\u211612(27) -\u0421.94-98.<\/p>\n<p>\u201c\u040e\u049b\u0438\u0442\u0443\u0432\u0447\u0438 \u0440\u0438\u0432\u043e\u044f \u0442\u0435\u0445\u043d\u0438\u043a\u0430\u0441\u0438 \u2013 \u0442\u0430\u043b\u0430\u0431\u0430\u043b\u0430\u0440 \u0444\u0430\u043e\u043b\u043b\u0438\u0433\u0438\u043d\u0438 \u043e\u0448\u0438\u0440\u0438\u0448 \u0432\u043e\u0441\u0438\u0442\u0430\u0441\u0438\u201d \/\/ \u0424\u0438\u043b\u043e\u043b\u043e\u0433\u0438\u043a \u0442\u0430\u0434\u049b\u0438\u049b\u043e\u0442\u043b\u0430\u0440. -IV \u043a\u0438\u0441\u043c. -\u0422\u043e\u0448\u043a\u0435\u043d\u0442, 2014 \u0439. -\u0411.78-79.<\/p>\n<p>\u201c\u0410\u043c\u0430\u043b\u0438\u0439 \u043c\u0430\u0448\u0493\u0443\u043b\u043e\u0442\u043b\u0430\u0440\u0434\u0430 \u0442\u0430\u043b\u0430\u0431\u0430\u043b\u0430\u0440 \u043d\u0443\u0442\u049b\u0438\u0439 \u043a\u045e\u043d\u0438\u043a\u043c\u0430\u043b\u0430\u0440\u0438\u043d\u0438 \u0448\u0430\u043a\u043b\u043b\u0430\u043d\u0442\u0438\u0440\u0438\u0448 \u0443\u0441\u0443\u043b\u043b\u0430\u0440\u0438\u201d \/\/ \u0424\u0438\u043b\u043e\u043b\u043e\u0433\u0438\u043a \u0442\u0430\u0434\u049b\u0438\u049b\u043e\u0442\u043b\u0430\u0440. -V \u043a\u0438\u0441\u043c. -\u0422\u043e\u0448\u043a\u0435\u043d\u0442, 2014. -\u0411.29-30.<\/p>\n<p>\u201c\u0410\u0434\u0430\u0431\u0438\u0439 \u0442\u0430\u043b\u049b\u0438\u043d\u0434\u0430 \u043c\u0443\u043d\u043e\u0441\u0430\u0431\u0430\u0442\u043b\u0438 \u043d\u0443\u0442\u049b \u0443\u0439\u0493\u0443\u043d\u043b\u0438\u0433\u0438\u201d \/\/ Filologik tadqiqotlar. -VII qism. -Toshkent, 2016. -B.123-126.<\/p>\n<p>\u201c\u041d\u0443\u0442\u049b\u0438\u0439 \u043c\u0443\u043b\u043e\u049b\u0430\u0442 \u0436\u0430\u0440\u0430\u0451\u043d\u0438\u0434\u0430 \u0440\u0438\u0432\u043e\u044f \u0442\u0435\u0445\u043d\u0438\u043a\u0430\u0441\u0438\u0433\u0430 \u044d\u0440\u0438\u0448\u0438\u0448 \u0431\u043e\u0441\u043a\u0438\u0447\u043b\u0430\u0440\u0438\u201d \/\/ \u0417\u0430\u043c\u043e\u043d\u0430\u0432\u0438\u0439 \u0442\u0438\u043b\u0448\u0443\u043d\u043e\u0441\u043b\u0438\u043a \u0432\u0430 \u0430\u0434\u0430\u0431\u0438\u0451\u0442\u0448\u0443\u043d\u043e\u0441\u043b\u0438\u043a\u043d\u0438\u043d\u0433 \u0431\u0430\u044a\u0437\u0438 \u043c\u0430\u0441\u0430\u043b\u0430\u043b\u0430\u0440\u0438. -\u041d\u0443\u043a\u0443\u0441, 2017. -\u0411 67-69.<\/p>\n<p>\u201c\u049a\u043e\u0440\u0430\u049b\u0430\u043b\u043f\u043e\u049b \u043c\u043e\u0434\u0435\u0440\u043d \u0448\u0435\u044a\u0440\u0438\u044f\u0442\u0438\u0434\u0430 \u044f\u043d\u0433\u0438\u043b\u0430\u043d\u0438\u0448\u043b\u0430\u0440 \u0434\u0430\u0432\u043e\u043c\u0438\u0439\u043b\u0438\u0433\u0438\u201d \/\/ \u0422\u0438\u043b\u0448\u0443\u043d\u043e\u0441\u043b\u0438\u043a \u0432\u0430 \u0430\u0434\u0430\u0431\u0438\u0451\u0442\u0448\u0443\u043d\u043e\u0441\u043b\u0438\u043a\u043d\u0438\u043d\u0433 \u0434\u043e\u043b\u0437\u0430\u0440\u0431 \u043c\u0430\u0441\u0430\u043b\u0430\u043b\u0430\u0440\u0438. -\u041d\u0443\u043a\u0443\u0441, 2019. -\u0411. 58-60.<\/p>\n<p>\u201c\u0428\u0435\u044a\u0440\u0438\u044f\u0442\u0434\u0430 \u0448\u0430\u043a\u043b\u0438\u0439 \u0432\u0430 \u0443\u0441\u043b\u0443\u0431\u0438\u0439 \u0438\u0437\u043b\u0430\u043d\u0438\u0448\u043b\u0430\u0440 \u0441\u0430\u043c\u0430\u0440\u0430\u0434\u043e\u0440\u043b\u0438\u0433\u0438\u201d \/\/ \u0417\u0430\u043c\u043e\u043d\u0430\u0432\u0438\u0439 \u0442\u0438\u043b\u0448\u0443\u043d\u043e\u0441\u043b\u0438\u043a \u0432\u0430 \u0434\u0435\u0440\u0438\u0432\u0430\u0446\u0438\u043e\u043d \u049b\u043e\u043d\u0443\u043d\u0438\u044f\u0442\u043b\u0430\u0440. -\u0421\u0430\u043c\u0430\u0440\u043a\u0430\u043d\u0434, 2019. -\u0411 246-247.<\/p>\n<p>\u201c\u041e\u0431\u0440\u0430\u0437\u043d\u043e\u0441\u0442\u044c \u0432 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0439 \u043f\u043e\u044d\u0437\u0438\u0438\u201d. -\u041d\u0430\u0443\u043a\u0430 \u0425\u0425I \u0432\u0435\u043a\u0430. -\u041c\u043e\u0441\u043a\u0432\u0430, 2019. -\u211610. -\u0421.\u00a0 27-29.<\/p>\n<p>\u201cRenewal Princihles and Article Interpretation In Uzbek Literature\u201d, 2021, April. pp. 379-383.<\/p>\n<p>\u201cThe similarity of form and content in Uzbek and Karakalpak poetry\u201d Eurasian Journal of Humanities and Social Sciences \/\/ OP ACCESS, PEERREVIEWED JOORNAL. ISSN (E): 2\u00a0795-768 3. VOLUME 8 | May 2022. 23-25.<\/p>\n<p>\u201cTHE ARTISTIC INTERPRETATION OF THE PERSONAND THE ENVIRONMENT IN THE STORY (IN THE PERSON AKBAR MIRZA). \/\/ \u201cAsian Journal of Multidimensional Research ISSN: 2278-4853 Vol. 11, Issue 5, May 2022 A peer reviewed journal.<\/p>\n<p>\u201cDevelopment of spiritual and formal-methodological studies in modern uzbek and karakalpak poetry\u201d. Asian journal of research in Social Sciences and Humanities. ISSN:2249-7315 Vol.12. Issue 05. May 2022. A peer reviewed journal.<\/p>\n<p>\u201cPrinciples of renewal and literary interpretation in uzbek literature\u201d \u201c\u049a\u043e\u0440\u0430\u049b\u0430\u043b\u043f\u043e\u0493\u0438\u0441\u0442\u043e\u043d\u0434\u0430 \u0444\u0430\u043d \u0432\u0430 \u0442\u0430\u044a\u043b\u0438\u043c\u201d \u0436\u0443\u0440\u043d\u0430\u043b\u0438. 1\/2-\u0441\u043e\u043d. \u041d\u0443\u043a\u0443\u0441, 2022.<\/p>\n<p>\u201c\u0423\u043b\u0443\u0493\u0431\u0435\u043a \u04b2\u0430\u043c\u0434\u0430\u043c\u043d\u0438\u043d\u0433 \u201c\u041b\u0430\u0445\u0437\u0430\u201d \u0448\u0435\u044a\u0440\u0438\u0434\u0430 \u0433\u0440\u0430\u0434\u0430\u0446\u0438\u044f\u201d. \/\/ \u201cTupkiy xalqlar filologiyasida fundamental tadqiqotlar va innovatsion ta`lim texnologiyalari\u2019\u2019 mavzusidagi xalqaro ilmiy-amaliy konferensiya materiallari to`plami.<\/p>\n<p>\u201c\u042f\u043d\u0433\u0438 \u0434\u0430\u0432\u0440 \u045e\u0437\u0431\u0435\u043a \u0432\u0430 \u049b\u043e\u0440\u0430\u049b\u0430\u043b\u043f\u043e\u049b \u0448\u0435\u044a\u0440\u0438\u044f\u0442\u0438\u0434\u0430 \u0448\u043e\u0438\u0440 \u0441\u0443\u0431\u044a\u0435\u043a\u0442\u0438 \u0438\u0444\u043e\u0434\u0430\u0441\u0438\u201d\u00a0 \/\/ \u201cTurkiy xalqlar filologiyasida fundamental tadqiqotlar va innovatsion ta`lim texnologiyalari\u201d mavzusidagi xalqaro ilmiy-amaliy konferensiya MATERIALLARI TO`PLAMI.<\/p>\n<p>\u201cYangi davr o`zbek va qoraqalpoq she`riyatida inversiya hodisasi\u201d. \u201cIlm sarchashmalari\u201d jurnali, \u21167 2023. B.151-153.<\/p>\n<p>\u201cCommon images in Uzbek and Karakalpak poetry\u201d. Science and Education in Karakalpakstan. ISSN: 2181-9203 P.277-280.<\/p>\n<p>\u201cThe tragic fate of heroes in the work og Zulgiya Kurolboy`s daugher\u201d Multidisplinary and multidimensional journal. ISSN: 2775-5118. Vol.3 NO.7 (2024)<\/p>\n<p>\u201cAxiological significance of axiological education for the preparation of students of technical srecialties\u201d.\u00a0 E3S WEB of Conferences 531 (2024) 05006<\/p>\n<p>\u201cThe dialectal Structure of the Work \u201cOltun Yorug`\u201d. TELEMATIQUE ISSN:1856 -4194.<\/p>\n<p>\u201cSpecific features of the poetic development of Bakhtiyar Genjemurodov`s poetry\u201d. Science and education in Karakalpakstan. 2025. \u21161\/2 ISSN 2181-9207<\/p>\n<p>\u201cZamonaviy hikoyalarda tabiat va inson muammosining aks etishi\u201d. Berdaq nomidagi Qoraqalpoq davlat universitetining AXBOROTNOMASI. \u21163 (70) 2025.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Zamira Kabulova (1970-j\u0131l, 3-mart. Qo\u0144\u0131rat rayon\u0131) \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00d3zbek h\u00e1m qaraqalpaq \u00e1debiy baylan\u0131slar\u0131 boy\u0131nsha ilimiy izertlew al\u0131p bar\u01f5an Zamira Adilbaevna Kabulova 1987-j\u0131l\u0131 Qaraqalpaq m\u00e1mleketlik universitetini\u0144 Filologiya fakultetine oq\u0131w\u01f5a kirip, 1992-j\u0131l\u0131 on\u0131 tab\u0131sl\u0131 tamamla\u01f5an. Universitetti tamamla\u01f5annan so\u0144, 1993-j\u0131l\u0131 \u00c1jiniyaz at\u0131nda\u01f5\u0131 N\u00f3kis m\u00e1mleketlik pedagogikal\u0131q institut\u0131n\u0131\u0144 \u201c\u00d3zbek filologiyas\u0131\u201d kafedras\u0131nda pedagogikal\u0131q jum\u0131s\u0131n basla\u01f5an. 1996-j\u0131ldan baslap h\u00e1zirge shekem Qaraqalpaq m\u00e1mleketlik universitetini\u0144 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-423","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/janubiyorol.uz\/en\/wp-json\/wp\/v2\/pages\/423","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/janubiyorol.uz\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/janubiyorol.uz\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/janubiyorol.uz\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/janubiyorol.uz\/en\/wp-json\/wp\/v2\/comments?post=423"}],"version-history":[{"count":1,"href":"https:\/\/janubiyorol.uz\/en\/wp-json\/wp\/v2\/pages\/423\/revisions"}],"predecessor-version":[{"id":425,"href":"https:\/\/janubiyorol.uz\/en\/wp-json\/wp\/v2\/pages\/423\/revisions\/425"}],"wp:attachment":[{"href":"https:\/\/janubiyorol.uz\/en\/wp-json\/wp\/v2\/media?parent=423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}