{"id":473,"date":"2025-12-11T09:16:58","date_gmt":"2025-12-11T04:16:58","guid":{"rendered":"https:\/\/janubiyorol.uz\/?page_id=473"},"modified":"2025-12-11T09:16:58","modified_gmt":"2025-12-11T04:16:58","slug":"sayat-jepbarova","status":"publish","type":"page","link":"https:\/\/janubiyorol.uz\/ru\/sayat-jepbarova","title":{"rendered":"Sayat JEPBAROVA"},"content":{"rendered":"<p><strong>\u00a0<\/strong><strong>\u00a0<\/strong><\/p>\n<p><strong> <a href=\"http:\/\/janubiyorol.uz\/wp-content\/uploads\/2025\/12\/Sayat-JEPBAROVA.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-474\" src=\"http:\/\/janubiyorol.uz\/wp-content\/uploads\/2025\/12\/Sayat-JEPBAROVA-261x300.jpg\" alt=\"\" width=\"261\" height=\"300\" srcset=\"https:\/\/janubiyorol.uz\/wp-content\/uploads\/2025\/12\/Sayat-JEPBAROVA-261x300.jpg 261w, https:\/\/janubiyorol.uz\/wp-content\/uploads\/2025\/12\/Sayat-JEPBAROVA.jpg 275w\" sizes=\"auto, (max-width: 261px) 100vw, 261px\" \/><\/a><\/strong><\/p>\n<p style=\"text-align: center;\"><strong>\u00a0<\/strong><strong>Sayat JEPBAROVA<\/strong><\/p>\n<p style=\"text-align: center;\"><em>(1987-j\u0131lda tuw\u0131l\u01f5an)<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>Sayat \u00a0Jepbarova 1987-j\u0131lda Xojeli rayon\u0131n\u0131\u0144 Sarayk\u00f3l aw\u0131l\u0131nda tuw\u0131l\u01f5an. 2005-j\u0131lda Berdaq at\u0131nda\u01f5\u0131 Qaraqalpaq m\u00e1mleketlik universitetini\u0144 Filologiya fakulteti T\u00farkmen tili h\u00e1m \u00e1debiyat\u0131 bakalavr t\u00e1lim ba\u01f5dar\u0131na oq\u0131w\u01f5a kirip, 2009-j\u0131l\u0131 \u00abayriqsha\u00bb diplom menen tamamlayd\u0131.\u00a0 2010-j\u0131lda universitetti\u0144 \u00ab\u00c1debiyattan\u0131w\u00bb (Qaraqalpaq \u00e1debiyat\u0131) magistratura b\u00f3limine oq\u0131w\u01f5a kiredi h\u00e1m 2012-j\u0131lda tamamlayd\u0131. 2012-2018-j\u0131llarda Qaraqalpaq m\u00e1mleketlik universiteti \u00abFilologiya\u00bb kafedras\u0131n\u0131\u0144 assistenti, 2019-j\u0131l\u0131 \u00abT\u00farkmen tili h\u00e1m \u00e1debiyat\u0131\u00bb kafedras\u0131n\u0131\u0144 assistenti, 2021-j\u0131ldan baslap \u00abT\u00farkmen tili \u00e1debiyat\u0131\u00bb kafedras\u0131 docenti lawaz\u0131m\u0131nda islep kelmekte.<\/p>\n<p>Sayat Jepbarova 2021-j\u0131l\u0131 professor Mamatqul Jurayevt\u0131\u0144 ilimiy bassh\u0131l\u0131\u01f5\u0131nda \u00ab\u00abAsh\u0131q Najep\u00bb d\u00e1stan\u0131ni\u0144 turkiy versiyalar\u0131n\u0131\u0144 genezisi h\u00e1m poetikas\u0131 \u00ab(\u00d3zbek, t\u00farkmen h\u00e1m qaraqalpaq versiyalar\u0131 m\u0131sal\u0131nda)\u00bb degen temada filologiya ilimleri boy\u0131nsha filosofiya doktor\u0131 (PhD) ilimiy d\u00e1rejesin al\u0131w ush\u0131n us\u0131n\u0131l\u01f5an dissertaciya jum\u0131s\u0131n tab\u0131sl\u0131 qor\u01f5ad\u0131. 2023-j\u0131l\u0131 o\u01f5an \u00a0JAK t\u00e1repinnen docent ilimiy ata\u01f5\u0131 berildi.<\/p>\n<p>S.Jepbarovan\u0131\u0144 \u00abAsh\u0131q N\u00e1jep\u00bb d\u00e1stan\u0131n\u0131\u0144 t\u00farkiy versiyalar\u0131n\u0131\u0144 genezisi h\u00e1m poetikas\u0131 (\u00d3zbek, t\u00farkmen h\u00e1m qaraqalpaq versiyalar\u0131 m\u0131sal\u0131nda) (Tashkent, 2021) dep atal\u01f5an (PhD dissertaciya) ilimiy miyneti t\u00farkiy xal\u0131qlar folklor\u0131nda ash\u0131ql\u0131q d\u00e1stanlar\u0131nan biri \u00abAsh\u0131q N\u00e1jep\u00bb d\u00e1stan\u0131n sal\u0131st\u0131rmal\u0131 talq\u0131\u01f5a tart\u0131l\u01f5an\u0131 menen qunl\u0131. Onda \u00abAsh\u0131q N\u00e1jep\u00bb d\u00e1stan\u0131n\u0131\u0144 \u00f3zbek, qaraqalpaq h\u00e1m t\u00farkmen versiyalar\u0131n\u0131\u0144 genezisi h\u00e1m poetikas\u0131 sal\u0131st\u0131rmal\u0131 talq\u0131\u01f5a tart\u0131lad\u0131. Dissertaciya jum\u0131sta \u00abAsh\u0131q N\u00e1jep\u00bb d\u00e1stan\u0131n\u0131\u0144 aw\u0131zeki h\u00e1m jazba variantlar\u0131n turkiy versiyalar menen sal\u0131st\u0131rma-tipologiyal\u0131q jaqtan \u00fayreniw tiykar\u0131nda d\u00e1stan genezisini\u0144 tariyx\u0131y tiykarlar\u0131, kompoziciyal\u0131q d\u00fazilisi, obrazlar sistemas\u0131, mifologiyal\u0131q tiykarlar\u0131, poetikas\u0131 h\u00e1m de tipologiya n\u0131zaml\u0131qlar\u0131n, h\u00e1zirgi waq\u0131tta atqar\u0131l\u0131w repertuarlar\u0131 an\u0131qlanad\u0131. Sonday-aq, jum\u0131sta \u00abAsh\u0131q N\u00e1jep\u00bb\u00a0 d\u00e1stan\u0131n\u0131\u0144 t\u00farkiy versiyalar\u0131n sal\u0131st\u0131rmal\u0131 izertlew n\u00e1tiyjesinde aw\u0131zeki tarqal\u01f5an d\u00e1stann\u0131\u0144 payda bol\u0131w\u0131 h\u00e1m variantlas\u0131w\u0131nda baqs\u0131sh\u0131l\u0131q \u00f3neri haqq\u0131nda\u01f5\u0131 epik syujetti\u0144\u00a0 ertek h\u00e1m a\u0144\u0131zlar s\u0131pat\u0131nda\u01f5\u0131 \u00falgileri tiykar bol\u01f5anl\u0131\u01f5\u0131, bul d\u00e1stann\u0131\u0144 Sh\u0131\u01f5\u0131s xal\u0131qlar\u0131 d\u00e1stansh\u0131 baqs\u0131 (baqs\u0131), j\u0131rawlar\u0131n\u0131\u0144 epikal\u0131q repertuar\u0131nan ke\u0144 or\u0131n al\u0131w\u0131, sh\u0131\u01f5armada baqs\u0131sh\u0131l\u0131q \u00f3neri haqq\u0131nda bayanlan\u01f5an waq\u0131yalard\u0131\u0144 da baqs\u0131lar d\u00f3retiwshiligine t\u00e1siri menen baylan\u0131sl\u0131 ekenligi d\u00e1lillengen. \u00a0Us\u0131 m\u00e1selelerdi ayd\u0131nlast\u0131r\u0131wda izertlewshi izertlew obyekti s\u0131pat\u0131nda\u00a0 \u00abAsh\u0131q N\u00e1jep\u00bb d\u00e1stan\u0131n\u0131\u0144 \u00d3zR IA \u00d3zbek tili, \u00e1debiyat\u0131 h\u00e1m folklor\u0131 institut\u0131n\u0131\u0144 Folklor arxivinde saqlanatu\u01f5\u0131n \u00f3zbek versiyalar\u0131, Xorezm variantlar\u0131, t\u00farkmen versiyalar\u0131n\u0131\u0144 tekstleri, Qaraqalpaq versiyas\u0131 h\u00e1m variantlar\u0131n sal\u0131st\u0131rmal\u0131 analizge tartqan. Izertlew jum\u0131s\u0131n\u0131\u0144 dawam\u0131nda al\u0131p bar\u0131l\u01f5an talq\u0131lawlardan \u00abAsh\u0131q N\u00e1jep\u00bb d\u00e1stan\u0131n\u0131\u0144 \u00fash xal\u0131q versiyas\u0131 haqq\u0131nda m\u0131nanday ma\u01f5l\u0131wmatlar keltiriledi:<\/p>\n<p>Sayat Jepbarova t\u00farkiy xal\u0131qlar \u00e1debiyat\u0131, sol sanda \u00f3zbek, qaraqalpaq, t\u00farkmen \u00e1debiyat\u0131 h\u00e1m folklor\u0131, \u00e1debiyat p\u00e1nin oq\u0131t\u0131w metodikas\u0131 boy\u0131nsha 70 den aslam ilimiy h\u00e1m ilimiy-metodikal\u0131q miynetlerdi\u0144 avtor\u0131. On\u0131\u0144 avtorl\u0131\u01f5\u0131nda 3 monografiya, 6 oq\u0131w qollanba, sabaql\u0131q h\u00e1m s\u00f3zlik (avtorlar menen birgelikte) kitaplar\u0131n baspadan sh\u0131\u01f5ard\u0131.<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0Ilimiy miynetleri: \u00a0<\/strong>\u041c\u0443\u043b\u043b\u0430\u043d\u0430\u0444\u0430\u0441 \u043b\u0438\u0440\u0438\u043a\u0430\u0441\u0438\u0434\u0430 \u0410\u043b\u0438\u0448\u0435\u0440 \u041d\u0430\u0432\u043e\u0438\u0439 \u0430\u043d\u044a\u0430\u043d\u0430\u043b\u0430\u0440\u0438 \u0438\u0444\u043e\u0434\u0430\u0441\u0438. \u00ab\u040e\u0437\u0431\u0435\u043a\u0438\u0441\u0442\u043e\u043d \u0420\u0435\u0441\u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0441\u0438 \u0424\u0430\u043d\u043b\u0430\u0440 \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u044f\u0441\u0438\u043d\u0438\u043d\u0433 70 \u0439\u0438\u043b\u043b\u0438\u0433\u0438\u0433\u0430 \u0431\u0430\u0493\u0438\u0448\u043b\u0430\u043d\u0433\u0430\u043d \u0420\u0435\u0441\u043f\u0443\u0431\u043b\u0438\u043a\u0430 \u0451\u0448 \u043e\u043b\u0438\u043c\u043b\u0430\u0440 \u0438\u043b\u043c\u0438\u0439-\u0430\u043c\u0430\u043b\u0438\u0439 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u044f\u00bb \u043c\u0430\u044a\u0440\u0443\u0437\u0430 \u0442\u0435\u0437\u0438\u0441\u043b\u0430\u0440\u0438 \u0442\u045e\u043f\u043b\u0430\u043c\u0438. \u00a0\u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442, 2013. 26 \u0434\u0435\u043a\u0430\u0431\u0440\u044c.\u00a0 \u2013 \u0411.176-177;\u00a0 T\u00fcrkmen poema eserlerini okatmagy\u0148 k\u00e4bir usuly\u00fdetleri. \u041c\u0435\u0442\u043e\u0434\u0438\u043a\u0430\u043b\u044b\u049b \u049b\u043e\u043b\u043b\u0430\u043d\u0431\u0430. \u2013 \u041d\u04e9\u043a\u0438\u0441: \u0411\u0438\u043b\u0438\u043c, 2013. 3,5 \u0431.\u0442; \u0422\u04af\u0440\u043a\u043c\u0435\u043d \u04b3\u04d9\u043c \u049b\u0430\u0440\u0430\u049b\u0430\u043b\u043f\u0430\u049b \u043f\u043e\u044d\u0437\u0438\u044f\u043b\u0430\u0440\u044b\u043d\u0434\u0430 \u043b\u0438\u0440\u0438\u043a\u0430\u043b\u044b\u049b \u0444\u043e\u0440\u043c\u0430\u043b\u0430\u0440\u0434\u044b\u04ca \u0440\u04d9\u04ca\u0431\u04d9\u0440\u0435\u04ca\u043b\u0438\u0433\u0438. (\u0430\u0432\u0442\u043e\u0440\u043b\u0430\u0440 \u043c\u0435\u043d\u0435\u043d \u0431\u0438\u0440\u0433\u0435\u043b\u0438\u043a\u0442\u0435). \u00ab\u0418\u043b\u0438\u043c \u04b3\u04d9\u043c \u0436\u04d9\u043c\u0438\u0439\u0435\u0442\u00bb \u0436\u0443\u0440\u043d\u0430\u043b\u044b. \u2212 \u041d\u04e9\u043a\u0438\u0441, 2015.\u00a0 \u21161. \u2013 \u0411.67-69; \u00ab\u04ee\u0430\u0440\u049b\u0430-\u0413\u0443\u043b\u0448\u0430\u00bb \u0445\u0430\u043b\u044b\u049b \u0434\u04d9\u0441\u0442\u0430\u043d\u044b \u04b3\u0430\u049b\u049b\u044b\u043d\u0434\u0430. \u03f4\u0437\u0420\u0418\u0410\u049a\u049a\u0411 \u049a\u0430\u0440\u0430\u049b\u0430\u043b\u043f\u0430\u049b \u0433\u0443\u043c\u0430\u043d\u0438\u0442\u0430\u0440 \u0438\u043b\u0438\u043c\u043b\u0435\u0440 \u0438\u043b\u0438\u043c-\u0438\u0437\u0435\u0440\u0442\u043b\u0435\u045e \u0438\u043d\u0441\u0442\u0438\u0442\u0443\u0442\u044b \u00ab\u0425\u0430\u043b\u044b\u049b \u0434\u04e9\u0440\u0435\u0442\u0438\u045e\u0448\u0438\u043b\u0438\u0433\u0438 \u043c\u0438\u043b\u043b\u0438\u0439 \u04b3\u04d9\u043c \u0443\u043b\u044b\u045e\u043c\u0430 \u0438\u043d\u0441\u0430\u043d\u044b\u0439 \u049b\u04d9\u0434\u0438\u0440\u0438\u044f\u0442\u043b\u0430\u0440 \u0441\u0438\u0441\u0442\u0435\u043c\u0430\u0441\u044b\u043d\u0434\u0430\u00bb \u0430\u0442\u0430\u043c\u0430\u0441\u044b\u043d\u0434\u0430\u0493\u044b \u0425\u0430\u043b\u044b\u049b\u0430\u0440\u0430\u043b\u044b\u049b \u0438\u043b\u0438\u043c\u0438\u0439 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u044f. \u2013 \u041d\u0473\u043a\u0438\u0441, 2015. \u2013 \u0411. 23-25; Edebi\u00fdaty \u00f6wreni\u015f ylmy. (\u0430\u0432\u0442\u043e\u0440\u043b\u0430\u0440 \u043c\u0435\u043d\u0435\u043d \u0431\u0438\u0440\u0433\u0435\u043b\u0438\u043a\u0442\u0435). \u041e\u049b\u044b\u045e \u049b\u043e\u043b\u043b\u0430\u043d\u0431\u0430. \u2013 \u041d\u0473\u043a\u0438\u0441: \u049a\u0430\u0440\u0430\u049b\u0430\u043b\u043f\u0430\u049b\u0441\u0442\u0430\u043d, 2015. 5 \u0431.\u0442;\u00a0\u00a0\u00a0 \u041c\u0438\u043b\u043b\u0438\u0439 \u0438\u0441\u0442\u0438\u049b\u043b\u043e\u043b \u0434\u0430\u0432\u0440\u0438 \u045e\u0437\u0431\u0435\u043a \u0430\u0434\u0430\u0431\u0438\u0451\u0442\u0448\u0443\u043d\u043e\u0441\u043b\u0438\u0433\u0438\u0434\u0430 \u041c\u0430\u0445\u0442\u0443\u043c\u049b\u0443\u043b\u0438 \u0438\u0436\u043e\u0434\u0438\u043d\u0438\u043d\u0433 \u0442\u0430\u0434\u049b\u0438\u049b \u049b\u0438\u043b\u0438\u043d\u0438\u0448\u0438. \u00ab\u0422\u0430\u043c\u0430\u0434\u0434\u0443\u043d \u043d\u0443\u0440\u0438\u00bb\u00a0 \u0436\u0443\u0440\u043d\u0430\u043b\u0438. \u00a0\u2012 \u041d\u0443\u043a\u0443\u0441, 2018. \u2012 \u0411. 30-34; \u041a.\u041a\u0443\u0440\u0430\u043c\u0431\u043e\u0435\u0432\u043d\u0438\u043d\u0433 \u0442\u0430\u0434\u049b\u0438\u049b\u043e\u0442\u043b\u0430\u0440\u0438\u0434\u0430 \u041c\u0430\u0445\u0442\u0438\u043c\u049b\u0443\u043b\u0438\u043d\u0438\u043d\u0433 \u045e\u0437\u0431\u0435\u043a \u0442\u0438\u043b\u0438\u0434\u0430\u0433\u0438 \u0442\u0430\u0440\u0436\u0438\u043c\u0430\u043b\u0430\u0440\u0438 \u04b3\u0430\u049b\u0438\u0434\u0430. \u00ab\u0422\u0435\u043d\u0434\u0435\u043d\u0446\u0438\u0438 \u0438 \u043f\u0435\u0440\u0441\u043f\u0435\u043a\u0442\u0438\u0432\u044b \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u044f \u043d\u0430\u0443\u043a\u0438 \u0438 \u043e\u0431\u0440\u0430\u0437\u043e\u0432\u0430\u043d\u0438\u044f \u0432 \u0443\u0441\u043b\u043e\u0432\u0438\u044f\u0445 \u0433\u043b\u043e\u0431\u0430\u043b\u0438\u0437\u0430\u0446\u0438\u0438\u00bb. \u2012 \u041f\u0435\u0440\u0435\u044f\u0441\u043b\u0430\u0432-\u0425\u043c\u0435\u043b\u044c\u043d\u0438\u0446\u044c\u043a\u0438\u0439. \u0423\u043a\u0440\u0430\u0438\u043d\u0430, 2018. \u2013 \u0421.441-444; Qardosh tillardan tarjimada tasvir o\u2019ziga xosligi. \u00ab\u0422\u0435\u043d\u0434\u0435\u043d\u0446\u0438\u0438 \u0438 \u043f\u0435\u0440\u0441\u043f\u0435\u043a\u0442\u0438\u0432\u044b \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u044f \u043d\u0430\u0443\u043a\u0438 \u0438 \u043e\u0431\u0440\u0430\u0437\u043e\u0432\u0430\u043d\u0438\u044f \u0432 \u0443\u0441\u043b\u043e\u0432\u0438\u044f\u0445 \u0433\u043b\u043e\u0431\u0430\u043b\u0438\u0437\u0430\u0446\u0438\u0438\u00bb. \u2012 \u041f\u0435\u0440\u0435\u044f\u0441\u043b\u0430\u0432-\u0425\u043c\u0435\u043b\u044c\u043d\u0438\u0446\u044c\u043a\u0438\u0439. \u2012 \u0423\u043a\u0440\u0430\u0438\u043d\u0430, 2019. \u2013 \u0421.356-357;\u00a0\u00a0 \u0425\u0430\u043b\u044b\u049b \u0434\u04d9\u0441\u0442\u0430\u043d\u043b\u0430\u0440\u044b \u0432\u0435\u0440\u0441\u0438\u044f\u043b\u0430\u0440\u044b\u043d\u044b\u04a3 \u04b3\u04d9\u043c \u04d9\u0434\u0435\u0431\u0438\u0439 \u0431\u0430\u0439\u043b\u0430\u043d\u044b\u0441\u043b\u0430\u0440\u0434\u044b\u04a3 \u0438\u0437\u0435\u0440\u0442\u043b\u0435\u043d\u0438\u045e\u0438. \u041c\u043e\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u044f. \u049a\u049a\u0414\u0423, \u2012 \u041d\u04e9\u043a\u0438\u0441,\u00a0 2019. 3 \u0431.\u0442;\u00a0\u00a0\u00a0 \u00ab\u0410\u0448\u044b\u049b \u041d\u04d9\u0436\u0435\u043f\u00bb \u0434\u04d9\u0441\u0442\u0430\u043d\u044b \u0441\u044e\u0436\u0435\u0442\u0438\u043d\u0438\u04a3 \u04af\u043b\u0433\u0438\u043b\u0435\u0440\u0438 \u0445\u04d9\u043c \u0438\u0437\u0435\u0440\u0442\u043b\u0435\u043d\u0438\u04ef\u0438 (\u0422\u04af\u0440\u043a\u0438\u0439 \u0432\u0435\u0440\u0441\u0438\u044f\u043b\u0430\u0440\u044b \u043c\u044b\u0441\u0430\u043b\u044b\u043d\u0434\u0430). \u00ab\u0418\u043b\u0438\u043c \u04b3\u04d9\u043c \u0436\u04d9\u043c\u0438\u0439\u0435\u0442\u00bb \u0436\u0443\u0440\u043d\u0430\u043b\u0438. \u2212 \u041d\u04e9\u043a\u0438\u0441,\u00a0 2020.\u00a0 \u21164. \u2013 \u0411.51-53; \u00ab\u0410\u0448\u044b\u049b \u041d\u04d9\u0436\u0435\u043f\u00bb \u0434\u04d9\u0441\u0442\u0430\u043d\u044b\u043d\u044b\u04a3 \u0438\u0434\u0435\u044f-\u043c\u0430\u0437\u043c\u0443\u043d\u044b \u04b3\u04d9\u043c \u043e\u043d\u0434\u0430 \u0441\u0430\u0437, \u0431\u0430\u049b\u0441\u044b\u0448\u044b\u043b\u044b\u049b \u0473\u043d\u0435\u0440\u0438\u043d\u0438\u04a3 \u04d9\u0445\u043c\u0438\u0439\u0435\u0442\u0438 (\u0422\u04af\u0440\u043a\u0438\u0439 \u0432\u0435\u0440\u0441\u0438\u044f\u043b\u0430\u0440\u044b \u043c\u044b\u0441\u0430\u043b\u044b\u043d\u0434\u0430). \u00abUzAcademia\u00bb scientific-methodical journal. \u00abYoshlarning innovatsion faolligini oshirish, ma\u2019naviyatni yuksaltirish va ilm-fan sohasidagi yutuqlari\u00bb \u00a0mavzusidagi 2-sonli Respublika ilmiy-onlayn konferensiyasi. 2020.\u00a0 \u2013 \u0411. 384-389; \u00ab\u0410\u0448\u044b\u049b \u04d8\u043b\u0431\u0435\u043d\u0442\u00bb \u0434\u04d9\u0441\u0442\u0430\u043d\u044b\u043d\u044b\u04a3 \u0425\u043e\u0440\u0435\u0437\u043c \u04b3\u04d9\u043c \u0442\u04af\u0440\u043a\u043c\u0435\u043d \u0432\u0435\u0440\u0441\u0438\u044f\u043b\u0430\u0440\u044b\u043d\u044b\u04a3 \u0441\u0430\u043b\u044b\u0441\u0442\u044b\u0440\u043c\u0430 \u0430\u043d\u0430\u043b\u0438\u0437\u0438. \u049a\u0430\u0440\u0430\u049b\u0430\u043b\u043f\u0430\u049b \u043c\u04d9\u043c\u043b\u0435\u043a\u0435\u0442\u043b\u0438\u043a \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0438 \u00ab\u0425\u0430\u0431\u0430\u0440\u0448\u044b\u0441\u044b\u00bb \u0436\u0443\u0440\u043d\u0430\u043b\u044b. \u2012 \u041d\u04e9\u043a\u0438\u0441, \u00a02020. \u21164. \u00a0\u2013 \u0411. 289-292;\u00a0\u00a0 Research issues of turkish versions of the poem \u00abAshyk Najep\u00bb \u00a0(as an example of Uzbek, Karakalpak and Turkmen folklore). International\u00a0 Journal\u00a0 of \u00a0Anglisticum. Literature, \u00abLinguisitcs and Interdisciplinary Studies\u00bb Volume: 9 (Issue: 9). \u2013 Macedonia,\u00a0 2020. \u2013 P.87-92. (ICV Impact factor 6, 88); Bakshi and demonologial characters in the poem \u00abAshiq Na\u2019jep\u00bb (According to the Turkish versions examples of the poem \u00abAshiq Na\u2019jep\u00bb). \u00a0\u00abInternational Journal of Advanced Science and Technology\u00bb\u00a0 Vol. 29, No. 8,\u00a0 2020. \u2013\u0440\u0440. 3261-3266; On The Issues Of Central Asian Turkish Versions And Literal Translation Of The Epic poem \u00abAshyk Najep\u00bb. \u00abThe Amerigan Journal Of Applied sciences\u00bb Volume: 2 (Issue: 9). USA. 2020. \u2212 \u2116 2 \u2013\u0411. 221-226. (ICV Impact factor 5, 276); Similarities and Differences Between the Uzbek and Turkmen versions of the epic poem \u00abAshik Najep\u00bb. \u00abDede Korkut. T\u00fcrk dili we Edebi\u00fdaty Ara\u015ftirmalari dergisi\u00bb \u00a0Turkey. 2020. \u2012 \u21169. \u2013 \u0411.186-190; Artistic features of the turkic versions of the oral\u00a0 epic \u00abAshyq Najep\u00bb. \u00abProceedings of Global Technovation-An International Multidisciplinary Conference Hosted from Samsun\u00bb Turkey.\u00a0 October 31 st, 2020. \u2013 \u0411. 16-17;\u00a0 \u00ab\u041d\u0435\u0436\u0435\u043f \u043e\u0433\u043b\u0430\u043d\u00bb \u0434\u0435\u0441\u0441\u0430\u043d\u044b\u043d\u0434\u0430 \u0441\u0430\u0437 \u0441\u0443\u043d\u0433\u0430\u0442\u044b\u04a3 \u04d9\u0445\u043c\u0438\u0435\u0442\u0438 \u0432\u0435 \u0431\u0430\u0433\u0448\u044b\u0447\u044b\u043b\u044b\u043a \u0445\u0430\u043a\u044b\u043d\u0434\u0430. \u00ab\u0422\u0435\u043d\u0434\u0435\u043d\u0446\u0438\u0438 \u0438 \u043f\u0435\u0440\u0441\u043f\u0435\u043a\u0442\u0438\u0432\u044b \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u044f \u043d\u0430\u0443\u043a\u0438 \u0438 \u043e\u0431\u0440\u0430\u0437\u043e\u0432\u0430\u043d\u0438\u044f \u0432 \u0443\u0441\u043b\u043e\u0432\u0438\u044f\u0445 \u0433\u043b\u043e\u0431\u0430\u043b\u0438\u0437\u0430\u0446\u0438\u0438\u00bb \u00a0\u2012 \u041f\u0435\u0440\u0435\u044f\u0441\u043b\u0430\u0432-\u0425\u043c\u0435\u043b\u044c\u043d\u0438\u0446\u044c\u043a\u0438\u0439: \u2012 \u00a0\u0423\u043a\u0440\u0430\u0438\u043d\u0430, 2020. \u2013 \u0411. 76-78; The\u00a0 Turkish\u00a0 Version\u00a0 Of\u00a0 The\u00a0 Epic\u00a0 \u00abOshik\u00a0 Najab\u00bb\u00a0 About\u00a0 The\u00a0 Artistic Features. Psychology and Education, 2021 58 (1): \u2013 \u0411. 2556-2558\u00a0 Skopus;\u00a0 \u00ab\u0410\u0448\u044b\u049b \u041d\u04d9\u0436\u0435\u043f\u00bb \u0434\u04d9\u0441\u0442\u0430\u043d\u044b\u043d\u044b\u04a3\u00a0 \u0442\u04af\u0440\u043a\u0438\u0439 \u0432\u0435\u0440\u0441\u0438\u044f\u043b\u0430\u0440\u044b\u043d\u044b\u04a3 \u0433\u0435\u043d\u0435\u0437\u0438\u0441\u0438 \u04b3\u04d9\u043c \u043f\u043e\u044d\u0442\u0438\u043a\u0430\u0441\u044b. \u041c\u043e\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u044f. \u049a\u049a\u0414\u0423. \u2012 \u041d\u0443\u043a\u0443\u0441,\u00a0 2020. 7,3 \u0431.\u0442.;\u00a0 \u00ab\u041e\u0448\u0438\u049b \u041d\u0430\u0436\u0430\u0431\u00bb \u0434\u043e\u0441\u0442\u043e\u043d\u0438\u0434\u0430 \u0430\u0439\u0442\u0438\u0448\u0443\u0432 \u0436\u0430\u043d\u0440 \u0445\u0443\u0441\u0443\u0441\u0438\u044f\u0442\u043b\u0430\u0440\u0438 (\u04e9\u0437\u0431\u0435\u043a, \u049b\u043e\u0440\u0430\u049b\u0430\u043b\u043f\u043e\u049b \u0432\u0430 \u0442\u0443\u0440\u043a\u043c\u0430\u043d \u0432\u0435\u0440\u0441\u0438\u044f\u043b\u0430\u0440\u044b \u043c\u0438\u0441\u043e\u043b\u0438\u0434\u0430). \u0423\u0440\u0433\u0435\u043d\u0447 \u0434\u0430\u0432\u043b\u0430\u0442 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0438 \u00abIlm sarchashmalari\u00bb \u0436\u0443\u0440\u043d\u0430\u043b\u0438. \u2012\u00a0 \u0423\u0440\u0433\u0430\u043d\u0447, 2021, \u21161. \u2013 \u0411. 69-74; \u00ab\u041e\u0448\u0438\u049b \u041d\u0430\u0436\u0430\u0431\u00bb \u0434\u043e\u0441\u0442\u043e\u043d\u0438 \u0442\u0443\u0440\u043a\u0438\u0439 \u0432\u0435\u0440\u0441\u0438\u044f\u043b\u0430\u0440\u0438\u043d\u0438\u043d\u0433 \u0431\u0430\u0434\u0438\u0438\u0439 \u0445\u0443\u0441\u0443\u0441\u0438\u044f\u0442\u043b\u0430\u0440\u0438. \u041c\u0435\u0434\u0438\u0430\u043b\u0438\u043d\u0433\u0432\u0438\u0441\u0442\u0438\u043a\u0430: \u00ab\u041d\u0430\u0437\u0430\u0440\u0438\u044f \u0432\u0430 \u0430\u043c\u0430\u043b\u0438\u0451\u0442\u00bb \u0425\u0430\u043b\u043a\u0430\u0440\u043e \u0438\u043b\u043c\u0438\u0439-\u0430\u043c\u0430\u043b\u0438\u0439 \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u044f. \u2012 \u0422\u043e\u0448\u043a\u0435\u043d\u0442, 2021. 17 \u043d\u043e\u044f\u0431\u0440\u044c. \u2013\u0411.372-377; \u00ab\u0410\u0448\u044b\u049b \u041d\u04d9\u0436\u0435\u043f\u00bb \u0434\u04d9\u0441\u0442\u0430\u043d\u044b\u043d\u044b\u04ca\u00a0 \u0432\u0435\u0440\u0441\u0438\u044f\u043b\u0430\u0440\u044b \u04b3\u04d9\u043c \u043a\u04e9\u0440\u043a\u0435\u043c \u0430\u045e\u0434\u0430\u0440\u043c\u0430\u043b\u0430\u0440\u044b. \u049a\u0430\u0440\u0430\u049b\u0430\u043b\u043f\u0430\u049b \u043c\u04d9\u043c\u043b\u0435\u043a\u0435\u0442\u043b\u0438\u043a \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0438 \u00ab\u0425\u0430\u0431\u0430\u0440\u0448\u044b\u0441\u044b\u00bb \u0436\u0443\u0440\u043d\u0430\u043b\u044b. \u2012 \u041d\u04e9\u043a\u0438\u0441,\u00a0 2022. \u2116 3.57 \u2013\u0411.211-214; \u041c\u0430\u0445\u0442\u0443\u043c\u049b\u0443\u043b\u0438 \u0438\u0436\u043e\u0434\u0438 \u045e\u0437\u0431\u0435\u043a \u0430\u0434\u0430\u0431\u0438\u0451\u0442\u0448\u0443\u043d\u043e\u0441\u043b\u0430\u0440\u0438 \u043d\u0430\u0437\u0430\u0440\u0438\u0434\u0430. \u0423\u0440\u0433\u0435\u043d\u0447 \u0434\u0430\u0432\u043b\u0430\u0442 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0438 \u00a0\u00abIlm sarchashmalari\u00bb \u0436\u0443\u0440\u043d\u0430\u043b\u0438. \u2012 \u0423\u0440\u0433\u0430\u043d\u0447, 2022. \u21168. \u2013\u0411. 36-38; \u041f\u0440\u043e\u0444\u0435\u0441\u0441\u043e\u0440 \u041a.\u049a\u0443\u0440\u0430\u043c\u0431\u043e\u0435\u0432 \u0438\u043b\u043c\u0438\u0439 \u0442\u0430\u0434\u049b\u0438\u049b\u043e\u0442\u043b\u0430\u0440\u0438\u0434\u0430 \u041c\u0430\u0445\u0442\u0443\u043c\u049b\u0443\u043b\u0438\u043d\u0438\u043d\u0433 \u045e\u0437\u0431\u0435\u043a \u0442\u0438\u043b\u0438\u0434\u0430\u0433\u0438 \u0442\u0430\u0440\u0436\u0438\u043c\u0430\u043b\u0430\u0440\u0438 \u0442\u0430\u04b3\u043b\u0438\u043b\u0438. \u0425\u043e\u0440\u0430\u0437\u043c \u041c\u0430\u044a\u043c\u0443\u043d \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u044f\u0441\u0438 \u00ab\u0410\u0445\u0431\u043e\u0440\u043e\u0442\u043d\u043e\u043c\u0430\u0441\u0438\u00bb \u0436\u0443\u0440\u043d\u0430\u043b\u0438. \u2012 \u0425\u0438\u0432\u0430, 2022. \u211610\/3. \u2013\u0411.63-66; Ahmad Mammedov tu\u2019rtliklari tabiati, janriy tadriji va o\u2019zbekcha tarjimada milliy ruhiyat ifodasi. \u00ab\u0424\u0438\u043b\u043e\u043b\u043e\u0433\u0438\u044f\u0434\u0430\u0493\u044b \u0444\u0443\u043d\u0434\u0430\u043c\u0435\u043d\u0442\u0430\u043b\u044c \u0437\u0435\u0440\u0442\u0442\u0435\u0443\u043b\u0435\u0440 \u0436\u04d9\u043d\u0435 \u043e\u049b\u044b\u0442\u0443\u0434\u044b\u04ca \u0438\u043d\u043d\u043e\u0432\u0430\u0446\u0438\u044f\u043b\u044b\u049b \u043c\u04af\u043c\u043a\u0438\u043d\u0434i\u043a\u0442\u0435\u0440i\u00bb \u0430\u0442\u0442\u044b \u0425\u0430\u043b\u044b\u049b\u0430\u0440\u0430\u043b\u044b\u049b \u0493\u044b\u043b\u044b\u043c\u0438-\u04d9\u0434i\u0441\u0442\u0435\u043c\u0435\u043b\u0438\u043a \u043e\u043d\u043b\u0430\u0439\u043d \u0436\u04d9\u043d\u0435 \u043e\u0444\u043b\u0430\u0439\u043d \u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u044f. \u2012 \u041d\u0443\u043a\u0443\u0441, 2022. \u2013\u0411.305-307; \u0411\u0435\u043b\u0433\u0438\u043b\u0438 \u0430\u043b\u044b\u043c \u041a.\u049a\u0443\u0440\u0430\u043c\u0431\u0430\u0435\u0432 \u0438\u0437\u0435\u0440\u0442\u043b\u0435\u045e\u043b\u0435\u0440\u0438\u043d\u0434\u0435 \u041c\u0430\u049b\u0442\u044b\u043c\u049b\u0443\u043b\u044b \u04b3\u0259\u043c \u0411\u0435\u0440\u0434\u0430\u049b \u0434\u04e9\u0440\u0435\u0442\u0438\u045e\u0448\u0438\u043b\u0438\u0433\u0438\u043d\u0434\u0435\u0433\u0438 \u0259\u0434\u0435\u0431\u0438\u0439 \u0442\u0259\u0441\u0438\u0440\u043b\u0435\u0440 \u043c\u0259\u0441\u0435\u043b\u0435\u043b\u0435\u0440\u0438. \u00ab\u0410\u0434\u0430\u0431\u0438\u0439 \u0430\u043b\u043e\u049b\u0430\u043b\u0430\u0440 \u0432\u0430 \u0445\u0430\u043b\u049b\u043b\u0430\u0440 \u0434\u045e\u0441\u0442\u043b\u0438\u0433\u0438 \u0444\u0438\u0434\u043e\u0439\u0438\u0441\u0438\u00bb \u2012 \u041d\u0443\u043a\u0443\u0441, 2022. \u2013\u0411.74-78; Magtymgulyny\u0148 poezi\u00fdasynda dili\u0148 \u00e7eper\u00e7ilik seri\u015fdelerini\u0148 ulanylmagy. \u00abTurkiy tillarning rivojlanishi va tadqiqining dolzarb masalalari\u00bb mavzusidagi Xalqaro ilmiy-amaliy anjuman materiallari. \u00a0II qism. \u2012 Nukus: Nur Turan Print, 2022 \u2013 \u0411.276-282; Maxtumquli asarlarining o\u2019zbekcha-turkmancha izohli lug\u2019ati. (\u0430\u0432\u0442\u043e\u0440\u043b\u0430\u0440 \u043c\u0435\u043d\u0435\u043d \u0431\u0438\u0440\u0433\u0435\u043b\u0438\u043a\u0442\u0435). \u041b\u0443\u0493\u0430\u0442. \u2012 \u0422\u043e\u0448\u043a\u0435\u043d\u0442: Firdavs-shoh, \u00a0\u00a02022.\u00a0 7,75 \u0431.\u0442.; T\u00fcrkmen edebi\u00fdatyny\u0148 taryhy. \u041e\u049b\u044b\u045e \u049b\u043e\u043b\u043b\u0430\u043d\u0431\u0430. \u2012 \u0422\u043e\u0448\u043a\u0435\u043d\u0442: Firdavs-shoh, \u00a0\u00a02022. 6,25 \u0431.\u0442.; T\u00fcrkmen edebi\u00fdatynda liro-epik eserleri okatmagy\u0148 metodikasy.\u00a0 \u041e\u049b\u044b\u045e-\u043c\u0435\u0442\u043e\u0434\u0438\u043a\u0430\u043b\u044b\u049b \u049b\u043e\u043b\u043b\u0430\u043d\u0431\u0430. \u2012 \u0422\u043e\u0448\u043a\u0435\u043d\u0442: Firdavs-shoh, \u00a0\u00a02022. \u00a03,75 \u0431.\u0442.; Shoir Ahmad Mammedov she\u2019rlarining o\u2018zbekcha tarjimasi haqida. \u0423\u0440\u0433a\u043d\u0447 \u0434\u0430\u0432\u043b\u0430\u0442 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0438 \u00abIlm sarchashmalari\u00bb \u0436\u0443\u0440\u043d\u0430\u043b\u0438. \u00a0\u2012 \u0423\u0440\u0433\u0430\u043d\u0447, 2023. \u00a0\u21163. \u2013 \u0411. 53-56; Bakshi and demonological characters in the poem \u00abAshiq Na\u2019jep\u00bb. Zamonaviy baxshichilik san\u2019ati: \u00abOltin merosning yangi ohanglari\u00bb III Xalqaro ilmiy-amaliy konferensiya. Guliston, \u00a02023. \u2013 \u0411. 422-427; O\u2018zbek-turkman adabiy oloqalarida tarjimaning o\u2019rni. \u00abInterpretation and researches\u00bb Issue 18.40. Impact factor 8, 2. 2024, \u2013 \u0411. 63-69; Maxtumqulining o\u2019zbek tilidagi tarjimalarining tahlili. \u00abMaxtumquli-dostlik kuychisi\u00bb mavzusidagi \u00a0\u00a0Xalqaro ilmiy-amaliy konferensiya materiallari. \u2013 Termiz, 2024. \u2013 \u0411.293-299; Magtymgulny\u0148 d\u00f6redijiliginde ulanylan halk dessanlaryny\u0148 \u00e7eper\u00e7ilik \u00e4hmi\u00fdeti. Ajiniyoz nomidagi NDPI \u00abMaxtumquli Firog\u2019iy va turk dunyosi\u00bb mavzusida Xalqaro ilmiy-amaliy anjuman. \u2013 Nukus, \u00a02024. \u2013 \u0411. 54-58; Ajiniyaz d\u00f3retiwshiligine \u00a0sh\u0131g\u0131s klassikal\u0131q \u00a0\u00e1debiyat\u0131n\u0131n \u00e1debiy t\u00e1siri haqq\u0131nda. \u00abAjiniyaz -Qaraqalpaq \u00e1debiyat\u0131n\u0131n maqtan\u0131sh\u0131\u00bb \u00a0atamas\u0131ndag\u0131 Xalqaral\u0131q \u00a0ilmiy-\u00e1meliy konferensiya materiallar\u0131. \u00a0\u2013 N\u00f3kis, 2024. \u2013 \u0411. 90-93; Q.Maqsetov qaraqalpaq folkloristikas\u00edn\u00ed\u0144 k\u00f3rnekli w\u00e1kili. \u049a\u0430\u0440\u0430\u049b\u0430\u043b\u043f\u0430\u049b \u043c\u04d9\u043c\u043b\u0435\u043a\u0435\u0442\u043b\u0438\u043a \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442\u0438 \u00ab\u0425\u0430\u0431\u0430\u0440\u0448\u044b\u0441\u044b\u00bb \u0436\u0443\u0440\u043d\u0430\u043b\u044b. \u2013 \u041d\u04e9\u043a\u0438\u0441, 2024. \u2116 3.4 \u2013 \u0411. 380-382; Professor Ahmad Mammedov sherlari o\u2019zbekcha tarjimasida milliy ruhiyat ifodasi. \u0425\u043e\u0440\u0430\u0437\u043c \u041c\u0430\u044a\u043c\u0443\u043d \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u044f\u0441\u0438 \u00ab\u0410\u0445\u0431\u043e\u0440\u043e\u0442\u043d\u043e\u043c\u0430\u0441\u0438\u00bb \u0436\u0443\u0440\u043d\u0430\u043b\u0438. \u2013 \u0425\u0438\u0432\u0430, 2024. \u211612\/4. \u2013 \u0411.158-161;\u00a0 \u00a0Literary poems of Magtymguly in modern uzbek poetry. (D\u00f6wrebap \u00f6zbek poezi\u00fdasynda Magtymgulyny\u0148 edebi d\u00e4pleri) \u00abP\u00e4him-pa\u00fdhas ummany Magtymguly Pyragy\u00bb mowzugynda Magtymguly Pyragyny\u0148 doglan g\u00fcn\u00fcni\u0148 300 \u00fdyllygy mynasebetli ge\u00e7iril\u00fd\u00e4n halkara ylmy maslahaty\u0148 makalalar \u00fdygyndysy. \u2013 A\u015fgabat, 2024. \u2013 \u0411. 181-183; \u00a0\u00ab\u0410\u0448\u044b\u049b \u041d\u04d9\u0436\u0435\u043f\u00bb \u0434\u04d9\u0441\u0442\u0430\u043d\u044b\u043d\u044b\u04a3 \u0433\u0435\u043d\u0435\u0437\u0438\u0441\u0438 \u04b3\u04d9\u043c \u043f\u043e\u044d\u0442\u0438\u043a\u0430\u0441\u044b.\u00a0 \u041c\u043e\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u044f. \u2013 \u0422\u043e\u0448\u043a\u0435\u043d\u0442: \u00a0Firdavs-shoh, 2024. 7,75 \u0431.\u0442.; Halk dessanlaryny\u0148 be\u00fdik \u015fahyr Magtymguly Pyragyny\u0148 d\u00f6redijiligine \u00e7eper\u00e7ilik t\u00e4siri. \u00abFilologik tadqiqotlar: til, adabiyot, t\u00e1lim\u00bb Ilmiy-innovasion jurnal. \u2013 Termiz, 2025. \u2013 B. 49-52; The depiction of bakshis and mythological figures in the turkic versions of the \u00abAshiq Najep\u00bb epic. \u00abWeb of Scientisc and Scholars\u00bb Journal of Multidisciplinar Research. Volume 3, Issue 2. ISSN (E): 2938-3811. Award, 2025. \u2013 P. 298-305; \u00abAshiq N\u00e1jep\u00bb d\u00e1stan\u0131nda dutar, baqs\u0131sh\u0131l\u0131q, saz \u00f3nerini\u0144 tutqan orni h\u00e1m \u00e1hmiyeti. Qaraqalpaq m\u00e1mleketlik universiteti \u00abXabarsh\u0131s\u0131\u00bb jurnal\u0131. \u2013 N\u00f3kis, 2025. \u21161.68 \u2013 B. 373-377;\u00a0 Edebi baglany\u015fyk meseleleri. Sabaql\u0131q. (avtorlar menen birgelikte).\u00a0 \u2013Toshkent: Metodist, \u00a02025 y. 9,5 b.t.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0\u00a0 \u00a0Sayat JEPBAROVA (1987-j\u0131lda tuw\u0131l\u01f5an) &nbsp; Sayat \u00a0Jepbarova 1987-j\u0131lda Xojeli rayon\u0131n\u0131\u0144 Sarayk\u00f3l aw\u0131l\u0131nda tuw\u0131l\u01f5an. 2005-j\u0131lda Berdaq at\u0131nda\u01f5\u0131 Qaraqalpaq m\u00e1mleketlik universitetini\u0144 Filologiya fakulteti T\u00farkmen tili h\u00e1m \u00e1debiyat\u0131 bakalavr t\u00e1lim ba\u01f5dar\u0131na oq\u0131w\u01f5a kirip, 2009-j\u0131l\u0131 \u00abayriqsha\u00bb diplom menen tamamlayd\u0131.\u00a0 2010-j\u0131lda universitetti\u0144 \u00ab\u00c1debiyattan\u0131w\u00bb (Qaraqalpaq \u00e1debiyat\u0131) magistratura b\u00f3limine oq\u0131w\u01f5a kiredi h\u00e1m 2012-j\u0131lda tamamlayd\u0131. 2012-2018-j\u0131llarda Qaraqalpaq m\u00e1mleketlik universiteti \u00abFilologiya\u00bb kafedras\u0131n\u0131\u0144 assistenti, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-473","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/janubiyorol.uz\/ru\/wp-json\/wp\/v2\/pages\/473","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/janubiyorol.uz\/ru\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/janubiyorol.uz\/ru\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/janubiyorol.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/janubiyorol.uz\/ru\/wp-json\/wp\/v2\/comments?post=473"}],"version-history":[{"count":1,"href":"https:\/\/janubiyorol.uz\/ru\/wp-json\/wp\/v2\/pages\/473\/revisions"}],"predecessor-version":[{"id":475,"href":"https:\/\/janubiyorol.uz\/ru\/wp-json\/wp\/v2\/pages\/473\/revisions\/475"}],"wp:attachment":[{"href":"https:\/\/janubiyorol.uz\/ru\/wp-json\/wp\/v2\/media?parent=473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}